Mostrar mensagens com a etiqueta Geoff Emerick. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Geoff Emerick. Mostrar todas as mensagens

quarta-feira, 3 de outubro de 2018

2018-09: Morte de Geoff Emerick

RIP:
https://variety.com/2018/music/news/geoff-emerick-beatles-engineer-dead-1202966681/
Citando:
"Geoff Emerick, the Beatles chief recording engineer who worked on some of the band’s most seminal albums, has died according to his manager William Zabaleta. He was 72 and believed to have suffered a heart attack.

Said Zabaleta in a statement to Variety: “Today at around 2’o’clock, I was making my way back from Arizona to Los Angeles to pick up Geoff so we could transport some gold records and platinum plaques to our show in Tucson. While on the phone, he had complications and dropped the phone. I called 911, but by the time they got there, it was too late. Geoff suffered from heart problems for a long time and had a pacemaker. … When it’s your time it’s your time. We lost a legend and a best friend to me and a mentor.”


Emerick, born Dec. 5, 1945, began working as an assistant engineer at Abbey Road at just 15 years-old and, just a few months months in, was face-to-face with John Lennon, Paul McCartney, George Harrison and Ringo Starr in the London studio. He apprenticed and later worked on such early Beatles’ recordings as “Love Me Do”, “I Want To Hold Your Hand,” “She Loves You,” and “A Hard Day’s Night.” Later becoming the band’s chief engineer, he helmed “Revolver,” “Sgt. Pepper’s Lonely Hearts Club Band,” “The White Album” and “Abbey Road” as well as the dual-sided single “Penny Lane”/”Strawberry Fields Forever.” "


domingo, 18 de junho de 2017

2017-06-18: Steve Howe e a altura do Sgt. Pepper's

http://somethingelsereviews.com/2017/06/15/tomorrow-beatles-steve-howe/

Citando:
"That is the approach I took when talking with Steve about Tomorrow. The link below navigates to the conversation that I conducted for the two Tomorrow releases, including an introduction of each of those albums. At the time, it struck me how the songs on Tomorrow’s only studio album from 1967 mirrored some of the concepts from Sgt. Pepper’s, and I discussed that with Steve. In addition, there is information about the direct interaction between the two bands. (One point of interest that didn’t come up: Beatles engineer Geoff Emerick also contributed his talents to the Tomorrow production.)

Overall, the content is a companion piece of sorts to the era that is described in the book from the Sgt. Pepper’s Lonely Hearts Club Band box set. This conversation may appeal to those interested in Tomorrow even without having read the box set’s book.

There have been some minor edits made to the original posting that the reader won’t miss, like fixing run-on sentences that at the time I was reluctant to eliminate in an effort to preserve each and every word Steve said. But there is one new set of additions that I felt would be largely beneficial, and that is the inclusion of YouTube videos to help provide some context to Steve Howe’s comments. These appear as embedded windows, and as links within the text."

quarta-feira, 17 de maio de 2017

2017-05-17: História da gravação de WALHFMF

http://www.rollingstone.com/music/features/inside-beatles-with-a-little-help-from-my-friends-w482062

Citando:
""I always saw those [songs] as the equivalent of writing a James Bond film theme," McCartney explained in Barry Miles' biography, Many Years From Now. "It was a challenge. It was something out of the ordinary for us because we actually had to write in a key for Ringo and you had to be a little tongue in cheek." Like school kids, the songwriting partners procrastinated on the assignment until the last possible moment. Starr's track would be the last one composed for the album."